Arts & Culture
Portfolio: Candace Feit

Candace Feit in Union Square, Manhattan, January 2007.
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Kids playing, Goree Island, Senegal, March, 2006.
Feit’s photographs of Darfur, Togo, Senegal, and Ivory Coast were exhibited during January at the Kingston Museum of Contemporary Arts (KMoCA), 105 Abeel St., Kingston.Portfolio: www.feitphoto.com.
—Brian K. Mahoney
On being a self-taught photographer
There are a lot of rules I have had to learn through trial and error, which has been a combination of enjoyment and frustration. I have had to learn how to take criticism in a different way than if I had gone to art school, where showing your work and getting honest feedback is just part of the process. So developing the ability to look at my own work critically without letting it get me down is something that I am constantly struggling with.
On the other hand, I truly enjoy making pictures and it is something I take very seriously. So knowing how seriously to take the work has been a challenge too, as well as being self-taught. It took me a long time to realize—this is serious, what I am doing is important and I need to treat it that way in order to do my best work.
The best thing about photography is that it is usually accessible. Most people have the language to talk about it.
Two boys on the way to a football game, Palmarin, Senegal, October 2006.
The conflict in Darfur is a good example, unfortunately, of many conflicts in Africa. It started as one thing—Arabs with the supposed support of the Sudanese government attacking black African tribes. Which in itself is in many ways very clear—one group of people as aggressors, the other as victims. Through the years it has gotten more complex and many of the groups who were fighting for independence or were working to protect themselves have now been fighting amongst themselves. I think that in talking with people about Africa and specifically about Darfur, it is very easy for people to sort of brush off the situation and say, “Oh, it’s tribal,” as if that gives some more information about what is actually happening. In some ways I think that is a very shortsighted way to look at problems in Africa—blowing them off by chalking everything up to these longstanding feuds. Yes, there are those, but like any situation in the world it requires some more effort to actually understand the conflict. What these people are fighting over is a more complicated story, and it often changes.
Malaria
Following events in Darfur, but also around the continent in places like the Democratic Republic of Congo, Sierra Leone, the Central African Republic—there is so much that needs to be done in all of these situations. There has been so much “never again” talk after Rwanda, and I think people mean that when they say it. However, there are so many problems beyond Darfur which get even less attention—like malaria. Not very sexy, but it is the number one killer of children in Africa. This is something that is highly treatable as well as being very preventable (with a $7 bed net). The current situation in the Democratic Republic of Congo or Sierra Leone—how are those places going to ever recover from long drawn-out conflicts? These are all issues that I think we have an obligation to pay attention to.
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